Victoria No. 203, Bindiya Aur Bandook, Koshish, Do Gaz Zameen Ke Neeche, Samadhi (Extraordinary in Rajasthan , U.P. & East Punjab), Do Chor (Excellent in Bombay, C.P.C.I. & Delhi) , Dhund, Loafer , Manchali, Namak Haraam, Anamika, Suraj Aur Chanda (Excellent in Delhi-U.P.), Jugnu (Phenomenal in North & Bombay) , Yaadon Ki Baaraat (Phenomenal in Bombay, Bengal & South India), Anhonee, Bobby (Phenomenal everywhere) , Zanjeer (Phenomenal in Delhi-U.P. & Bombay), Daag, Abhimaan (Excellent in Bombay & Bengal), Anuraag (Phenomenal in Bengal) , Dharma (Phenomenal in East Punjab), Jheel Ke Uss Paar (Excellent in Bombay), Keemat, Jwar Bhata, Anhonee, Kahani Kismat Ki (Extraordinary in Bombay, Delhi-U.P.) , Aa Gale Lag Na (Extraordinary in Bombay), Anokhi Ada, Jaise Ko Taisa, Kuchhe Dhaage, Gora Aur Kala (Very Good in North) , Aaj Ki Taja Khabar, Garam Hava, Hanste Zakhm, Heera (Extraordinary in East Punjab) , Samjhauta (Excellent in Bengal)
DILIP KUMAR — THE BOX-OFFICE GOD The greatest superstar of Indian cinema history Dilip Kumar started his career with Jwar Bhata in 1944 but it barely scrape out at the box-office. It was followed by another flop Pratima. But the success was not far behind. Just after 3 years of debut his first breakthrough role come in Bombay Talkies Milan (1947) which was major box-office hit and it was followed by a sensational box-office grosser Jugnu which turned out to be one of the biggest hit of the decade. The success of these two films was followed by box-office hits like Mela, Nadiya Ke Paar, Shabnam, Ghar Ki Izzat and at last Andaz which smashed all the box-office records that existed then. In Andaz, he showed his acting histrionics and won the hearts of critics and public. At the end o 1940s decade he was instantly rated number one and the most popular star. Dilip Kumar's next decade fifties started with a bang with Arzoo. With Arzoo Dilip Kumar proves what a fine dramatic actor ...
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